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Archive for the ‘Water’ Category

Mindful Moments, the fifth publication from Wayne Scherr and Range of Vision Photography has been published and is now offered to the public for viewing and purchase. Mindful Moments is a collection of images is a cross section of imagery that ranges from the mountain landscapes of Glacier National Park to garden florals water movement and abstract photographs. All are from my home in Montana.

Mystery Creek cover for Mindful Moments

Mystery Creek cover for Mindful Moments

From the introduction:
It was the weathered wood fence and floral garden beyond at my brother’s home that defined Mindful Moments for me. This was where photographic images offered themselves to my camera and opened my heart.
Together as photographers we have discovered brief seconds of light that sculpt the natural world and in the creative process developed connections that define one’s life.
Mindful Moments have since shadowed my footsteps as I focus on broader landscapes and experimental visions. It is with great respect for the encouragement and support of my brother, Greg, that I offer these images to the viewer in hopes that sharing them will transcend my experiences into a greater awareness of thought and be moved by these, visual, Mindful Moments.
120 pages illustrated with 99 photographs
Standard landscape format 10 x 8 inches (25 x 20 cm) with soft cover $37.95
To preview and purchase your copy of Mindful Moments, go to

 

https://myphotovisions.wordpress.com/abstract-from-a-land-of-landscapes/

https://myphotovisions.wordpress.com/challenge-your-photographic-vision/

https://myphotovisions.wordpress.com/water-the-meditation-of-liquid-music/

https://myphotovisions.wordpress.com/fear-and-persistance-of-expression/

https://myphotovisions.wordpress.com/sense-what-the-landscape-is-telling-you/

Photographs used in this post are copyrighted by Wayne Scherr,
Range of Vision Photography, 2012, All Rights Reserved. Reproduction in any
manner is prohibited without the written permission of Wayne Scherr, Range of
Vision Photography. My image catalog can be viewed at http://www.rangeofvisionphotos.com.

You can contact me through this blog or email at: wayne@rangeofvisionphotos.com

 

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The pristine ecosystem of Montana’s Glacier National Park was made for landscape
photography. Called the “Crown of the Continent” its’ graphic glacier carved
geography and flow of energy is nothing short of stunning.

Known as the “Backbone of the World” by Native Americans, Glacier has more
than a million acres of aspen and pine forests, flowery alpine meadows, clear lakes,
jagged peaks and prominent glacial-carved valleys.

The Park’s diversity is also home to nearly 70 species of mammals including the grizzly bear, and wolf, Mountain Goats and Bighorn sheep. Everywhere you turn it’s easy to get
electrified by the view and the life that surrounds you.

Up at Many Glacier on the eastern side of the Park I intended to photograph Swiftcurrent
Falls.

Swiftcurrent Falls Glacier National Park Montana
Swiftcurrent Falls

I wanted my images to be powerful and dynamic. I scouted the location and climbed down to small ledge facing the deafening cascade. You could feel the energy of the thunderous falls charge through your body.

To convey its’ power and flow I chose a 20mm wide angle lens and got in close, careful not to slip into the stream and get flushed down into the gorge and river
below.

I used the juxtaposition of background and fore ground to create an illusion of perspective. I feel it gives the viewer a sense of being there in the image, itself. It expands the experience and gives the viewer a further sense of your perception. In this
case a sweeping wide angle of power and strength.

Near far compositions create scale and interest. Coupled with the slight zigzag pattern of diagonal lines in the composition it keeps the viewer’s eyes moving back and forth
within the picture.

Swiftcurrent Falls Glacier National Park Montana
Morning at Swiftcurrent

When photographing waterscapes it’s a good idea to eliminate as much of the sky as
possible because the sky can be a distraction drawing the viewers eye away from
the essentials, the dynamics of the composition.

Overcast light, even haze is good when photographing water because it diffuses the light
so that you can employ slower shutter speeds and not get hot spots that are
created by bright light. A polarizing filter also comes in handy.

The use of motion blur and the texture that forms with water from a timed exposure is
essential in capturing the vitality of a waterfall.  Applying a full depth of field and an ISO of
100 with shutter speeds from ¼ to ½ second and you’ve got the shot. Slower
shutter speeds in brighter light would have washed out the highlights and
faster speeds would have distracted from the impression of movement and flow I
wanted to portray.

I encourage readers to get out and photograph water. Experiment with liquid movement,
motion and blur as design elements to express yourself. Be in the moment. Let
me know how it goes.

Get helpful information from these websites:

Glacier
National Park – www.nps.gov/glac

Glacier’s webcams – www.nps.gov/glac/photosmultimedia/webcams.html

Lodging and activities – www.glacierparkinc.com

Montana Visitor’s Guide – www.visitmt.com

Sunrise Sunset calendars – www.sunrisesunset.com

The Photographer’s Ephemeris – www.photoephemeris.com

Related Posts:

https://myphotovisions.wordpress.com/2011/09/24/astracts-from-a-land-of-landscapes/

https://myphotovisions.wordpress.com/2009/05/08/salty-legs-and-mountain-goats/

https://myphotovisions.wordpress.com/2009/05/02/crown-of-the-continent-glacier-national-park-montana/

Photographs used in this post are copyrighted by Wayne Scherr, Range of Vision Photography, 2011, All Rights Reserved. Reproduction in any manner is prohibited without the written permission of Wayne Scherr, Range of Vision Photography. My image catalog can be viewed at http://www.rangeofvisionphotos.com.

You can contact me through this blog or email at: wayne@rangeofvisionphotos.com

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Entering Glacier from Babb on the eastern side of this National Park in Montana
I drove the potholed two lane road toward Many Glacier.
Aspen trees lined the road and whipped by my car window.

Bursts of laser white pulsed backlighting the aspens’ deeper shadows. Traveling at 40 miles per
hour sunlight reflecting off Lake Sherburne flashed bright specular highlights
across my face like a strobe. The sub alpine lake shimmered in the afternoon
light drawing my attention.

Lake Sherburne Glacier National Park Montana

Lake Sherburne Glacier National Park Montana

It was abeautiful day with blue skies, fresh mountain air and no one else on the road.
Each time I explore Glacier I am inspired by the dramatic landscapes that
blanket both sides of the Continental Divide, here in this Crown Jewel of
Montana. This sparkling day was no different.

I grabbed my camera that is always waiting at my side and opened the window. A quarter of
a second exposure, the lens set at infinity and with the car rolling down the
road, I couldn’t resist tripping the shutter.

Implied motion within a still image has always been intriguing to me.  Obviously composition is difficult but leaning toward spontaneity keeps the adrenalin going and in this situation it is all
trial and error anyway.

swift current creek glacier national  park montana

Swiftcurrent Creek Montana

I don’t know what the aperture was. It doesn’t matter. That kind of thing is
immaterial. What counts is inspiration and being there. This kind of exercise
is more primal. It is recording the flow of energy. Trying something different,
experimenting with what comes your way keeps the photographer’s creativity in flux.

I was excited by the revelations that followed.

The extended exposures formed the definition of an abstract image with patterns,
harmonies of color and touchable textures. They ask the viewer to participate
by projecting their thoughts and experiences into the question of what these
pictures are about.

What do you see in these turbulent shifts of light and motion? Is it something new?
Do they engage you in thought?

Let me know your impressions or comments.

Related Posts:

https://myphotovisions.wordpress.com/challenge-your-photographic-vision/

https://myphotovisions.wordpress.com/water-the-meditation-of-liquid-music/

https://myphotovisions.wordpress.com/fear-and-persistance-of-expression/

https://myphotovisions.wordpress.com/sense-what-the-landscape-is-telling-you/

Photographs used in this post are copyrighted by Wayne Scherr,
Range of Vision Photography, 2011, All Rights Reserved. Reproduction in any
manner is prohibited without the written permission of Wayne Scherr, Range of
Vision Photography. My image catalog can be viewed at http://www.rangeofvisionphotos.com.

You can contact me through this blog or email at: wayne@rangeofvisionphotos.com

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In Photography with the capture of form, texture and color, we
depict what we perceive as real and meld it into a more fantasy style of illustration.
This is called an abstract.

The visual connection between the subject and viewer is formed by
the viewer’s imagination, perception and experiences. Their insight transcends
the visual elements of the image in the communication process.

Storm on the Horizon is actually moving water
rushing over colorful rocks in an alpine mountain stream high in the Absaroka
Beartooth Wilderness of Montana. I used a timed exposure of three seconds and
this implied the motion I wanted to convey. Depth was created by the horizontal
lines of surging water and specular highlights it picked up in the foreground.

Photographic abstract water movement

Storm on the Horizon

Incorporating a second layer of flowing water gave the composition
added depth and movement developing a translucent curtain above the underlying
streambed. This gave the image a windswept driving rain illusion. Perhaps a
hurricane or tropical storm in thought.

During post processing, using Photoshop, I enhanced color
saturation in the submerged rocks focusing on the red hues. I felt this gave
life to the image with an almost sunset feeling.

So what do you perceive when viewing this photograph, a sunset? Is
this a storm front on the ocean? Does it matter what the photographer saw or
thought he saw when composing in the viewfinder? Is it up to the viewer and
their experiences that actually determine the final communication between the
image, viewer and photographer?

Forget me not – In this floral abstract photograph I went for
the color effect of bright blue for its visual appeal.

abstract photograph blue florals

Forget me nots

Over the last few summers I have tried to depict Forget- me -not
flowers in a direct way. I have used them as background splashes of color,
as distinctive out of focus bokeh (boquet) successfully but when isolating them
as a single documentary image it just didn’t work the way I envisioned.

Earlier this season I worked with panning the camera during
exposures, especially on trees, and was happy with the results. When these
brilliant sky blue flowers blanketed the garden midsummer I thought of this
technique again and used it to capture the color and texture of this ground
cover.

In order to slow the shutter speed to convey this style of motion
I added a polarizing filter to my wide angle lens and shot a series of one
quarter to one half second exposures. With the shutter open I panned the
camera, while attached to a tripod, and liked the results.

In post processing, again, I utilized Photoshop to enhance the
blue hues resulting in a dynamic color abstract photograph.

When photographing abstracts you have to kind of forget what your
subject matter really is, and be open to different uses of lenses, camera
settings and post processing techniques.

Imagination plays the most important role in determining the final
results of the finished print. Think in terms of shapes, textures and color
combining them to make a unique image that is not what it is but what your
imagination sees.

Related Posts:

https://myphotovisions.wordpress.com/challenge-your-photographic-vision/

https://myphotovisions.wordpress.com/water-the-meditation-of-liquid-music/

https://myphotovisions.wordpress.com/fear-and-persistance-of-expression/

https://myphotovisions.wordpress.com/sense-what-the-landscape-is-telling-you/

Photographs used in this post are copyrighted by Wayne Scherr,
Range of Vision Photography, 2010, All Rights Reserved. Reproduction in any
manner is prohibited without the written permission of Wayne Scherr, Range of
Vision Photography. My image catalog can be viewed at http://www.rangeofvisionphotos.com.

You can contact me through this blog or email at: wayne@rangeofvisionphotos.com

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Outside it was minus 5 degrees with crystal clear skies and a feathery frost forming on my windowpane. It stopped snowing during the night but there was still enough moisture in the air to freeze and form tiny crystal patterns.

I had been checking this window for frost almost every morning throughout the winter. Most of the time there’s nothing interesting.  There were usually just small streaks of grey granular frost with no real graphic pattern or distinctive texture.

Frostscape

Frostscape 12x12

But, once in awhile the elements seem to line up and it’s a race to capture the scene before it melts away with the warmth of the direct light of sunrise. Crystalline frost is formed directly from the water vapor in the air.  As the vapor runs along the contours of the glass it goes right from being a gas to a frozen solid, without transforming from a liquid state first. These are the intriguing textures and designs that can be worked into surreal compositions.

I quickly set up my camera and used only ambient outside light to backlight the delicate structure of the hoar frost. I wanted to hold the viewer’s attention within the frame of composition so I focused just on the crystal formations looking for patterns.

Using a shallow depth of field gave me the separation I wanted to keep the distracting vertical lines of a backyard shed out of the background.

Frost Pattern

Frost Pattern 11x17

I had about ten minutes to check out several compositions and prepare visually before the light would begin to melt the intricate designs.  It was some of the most delicate hoar frost I’ve seen. In this image I liked how the crystals have just caught the first light of day creating dimension and texture within the scene.

The sparkle within the ice crystals changed quickly and within seconds all the little lines dividing the dynamic crystal structures filled in and pooled and like an ancestry tree forked into branches before running down the glass.

All photographs used in this entry are copyrighted by Wayne Scherr, Range of Vision Photography, 2011, All Rights Reserved. Reproduction of any kind is prohibited. If you wish reproduction rights please contact: wayne@rangeofvisionphotos.com

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Been working on a rebuild and design of my website http://www.rangeofvisionphotos.com for several weeks now and finally after some trouble shooting this weekend and a long phone call into my host server have things up and running.

I have changed some of the galleries deleting some older images and collections. Along with the update I have added a special gallery. It is one that highlights water and movement featuring the magical flow and energies that only water can provide to the viewer.

I particularly like the images entitled Breaking Through, River Shaman and Water Spirits. Each is very distinct and emote a unique connection with the spiritual side of nature and my interpretation.

Water Movement - Breaking Through

11x17 Reproduction entitled Breaking Through

The abstract collection contains many new images and in particular I like Planetary Storm, Signs and Quaking Aspens. They have a tendency to create thought provoking conversations with Storm and Signs being close ups of ice and the Aspens a dreamy blur of implied motion.

In the Panorama Collection both the Garden Panorama and Color Pallet are new and very different in image presentation. Color Pallet is an abstract interpretation of the Garden pan image location.

Included in the Landscape collection are photographs from Montana, Idaho, Hawaii and Utah. All are intriguing locations to enjoy and contemplate their distinctive settings. Twin Lakes and Honopu Valley are awe inspiring sites.

Abstract interpretation Quaking Aspens

11x17 Reproduction - Quaking Aspens

My Floral Collection is the most extensive with numerous possibilities of picture pairs and sets that can be combined for outstanding wall décor and layouts with everything from Bunny Tails and Dahlias to Orchids and tulips. Jewels and Floral Harmony have recently appeared in calendars showcasing Montana Photographers.

So I invite readers of this Blog to visit my website: www.rangeofvisionphotos.com  and I hope you find something of interest and stimulation to your senses.

You will also find connections to two books that I published since December. Range of Vision – Discovering the Magic of the Present Moment and Horizon of Stars – A Photographic Journal of an African Safari.

Layouts on a third publication entitled Edge of Heaven – A Photo Essay on Hawaii is in the works and should be available in April/May.

All photographs used in this entry are copyrighted by Wayne Scherr, Range of Vision Photography, 2011, All Rights Reserved. Reproduction of any kind is prohibited. If you wish reproduction rights please contact: wayne@rangeofvisionphotos.com

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