In Photography with the capture of form, texture and color, we
depict what we perceive as real and meld it into a more fantasy style of illustration.
This is called an abstract.
The visual connection between the subject and viewer is formed by
the viewer’s imagination, perception and experiences. Their insight transcends
the visual elements of the image in the communication process.
Storm on the Horizon is actually moving water
rushing over colorful rocks in an alpine mountain stream high in the Absaroka
Beartooth Wilderness of Montana. I used a timed exposure of three seconds and
this implied the motion I wanted to convey. Depth was created by the horizontal
lines of surging water and specular highlights it picked up in the foreground.
Storm on the Horizon
Incorporating a second layer of flowing water gave the composition
added depth and movement developing a translucent curtain above the underlying
streambed. This gave the image a windswept driving rain illusion. Perhaps a
hurricane or tropical storm in thought.
During post processing, using Photoshop, I enhanced color
saturation in the submerged rocks focusing on the red hues. I felt this gave
life to the image with an almost sunset feeling.
So what do you perceive when viewing this photograph, a sunset? Is
this a storm front on the ocean? Does it matter what the photographer saw or
thought he saw when composing in the viewfinder? Is it up to the viewer and
their experiences that actually determine the final communication between the
image, viewer and photographer?
Forget me not – In this floral abstract photograph I went for
the color effect of bright blue for its visual appeal.
Forget me nots
Over the last few summers I have tried to depict Forget- me -not
flowers in a direct way. I have used them as background splashes of color,
as distinctive out of focus bokeh (boquet) successfully but when isolating them
as a single documentary image it just didn’t work the way I envisioned.
Earlier this season I worked with panning the camera during
exposures, especially on trees, and was happy with the results. When these
brilliant sky blue flowers blanketed the garden midsummer I thought of this
technique again and used it to capture the color and texture of this ground
In order to slow the shutter speed to convey this style of motion
I added a polarizing filter to my wide angle lens and shot a series of one
quarter to one half second exposures. With the shutter open I panned the
camera, while attached to a tripod, and liked the results.
In post processing, again, I utilized Photoshop to enhance the
blue hues resulting in a dynamic color abstract photograph.
When photographing abstracts you have to kind of forget what your
subject matter really is, and be open to different uses of lenses, camera
settings and post processing techniques.
Imagination plays the most important role in determining the final
results of the finished print. Think in terms of shapes, textures and color
combining them to make a unique image that is not what it is but what your
Photographs used in this post are copyrighted by Wayne Scherr,
Range of Vision Photography, 2010, All Rights Reserved. Reproduction in any
manner is prohibited without the written permission of Wayne Scherr, Range of
Vision Photography. My image catalog can be viewed at http://www.rangeofvisionphotos.com.
You can contact me through this blog or email at: email@example.com