Winter Hunt on Peach Street

Hawks and eagles have always mesmerized me. Their strength and regal demeanor are fascinating and living here in Montana with mountains and prairies close at hand there is plenty of opportunity to witness the excitement of soaring flight.

Even here in town hawks are plentiful throughout winter. A stand of tall white pine trees tower over my neighborhood. While shoveling snow I noticed two Goshawks perched at the top of one of the tallest pines.

These neighborhood hunters catch the wind and glide through the north side of town at or below treetop level. Sometimes hovering in place they search the ground for food, heads scanning back and forth, ever so alert.

Bird of Prey

Their flight patterns formed large circles that always ended up on their pine perch. I knew they nested nearby but never noticed exactly where they made their home. It was this 60 foot stand of pines just a block away.

I saw fresh snow blanketing their stoic bodies. With a sudden flutter of feathers they flung the flakes off. Then they readjusted their footing settling in again, always watching for something live and edible.

While continuing my shoveling I looked up every thirty seconds. The two hawks seemed to be watching me as well. A light breeze rose and snow fell from the phone wires above. Silence found in winter weather is potent. It centers sounds in your head like wearing headphones.

Tiny wrens from the surrounding block buzzed around houses feeding on lilac bushes and bird feeders. Several flew just above my head chirping away, chasing each other at high speed rounding the corner of my home.

I noted the hawks were gone and went back to shoveling the few inches of today’s fresh powder. In a flash a single wren flew past my face grabbing my attention, flapping its wings in a panic. The birds’ voice was no longer in song. Now it had a high pitched screech.

It raced across my yard in a straight line away from the bush that held several other wrens. Wings were in chaotic motion. I stood straight wondering what was going on.

Down from the sky, motionless the goshawk drifted. Its’ wings taunt and talons extended it glided in silence gaining on the little wren. They met in my front yard.

The chirping stopped as one talon reached out stabbing the tiny wren from above in split second timing. Clasping tightly there was no struggle as the hawk closed his talons. The hawk tweaked his tail feathers forcing the air beneath to push him up back into the trees.

The little wren must have sacrificed himself for the benefit of the flock hidden in the compact branches of my lilac bush. The only sound I heard was the whoosh of air as the hawk increased speed overtaking the wren twenty feet from me.

It was sudden, swift and silent.

Snow continued to fall. In a minute or two wrens began to sing again. The goshawks were perched high in the pines.

Photographs used in this post are copyrighted by Wayne Scherr, Range of Vision Photography, 2010, All Rights Reserved. Reproduction in any manner is prohibited without the written permission of Wayne Scherr, Range of Vision Photography. My image catalog can be viewed at http://www.rangeofvisionphotos.com. You can contact me through this blog or through email at: wayne@rangeofvisionphotos.com

Crossing the Absaroka Beartooth Wilderness – a Backpacker’s Goal

With more than 750 miles of trails in the Absaroka Beartooth Wilderness to choose from this was an excellent choice. It is the most popular Trans- Beartooth trail in this system but it was hard to resist. We began our trek near the Chief Joseph campground and the Clarks Fork trailhead, just east of Cooke City Montana. http://www.cookecitychamber.org

Once we divided up the gear we added another fifteen to twenty pounds of camera gear rounding our packs at almost 80 pounds each. It was hard to keep balanced. That first mile was just getting use to the added weight.

Backpackers Absaroka Beartooth Wilderness

We choose to start our trek on the west side because of the long elevation gain on the East Rosebud side. With our heavy packs it would be better to be hiking downhill the last 16 or so miles.

Just off a foot bridge we could hear a waterfall.  We checked it out for photo possibilities.  One of the new guys to these trails leaned over the wooden rail for a better view and his camp shoes slid off his pack and down thirty feet into the creek. Within seconds his shoes tumbled over the falls another twenty feet.

Dropping our packs we scrambled down the side path next to the falls recovering Buzz’s shoes which added another two pounds to his ordeal. This was our great start to a 30+ mile, seven day hike to the East Rosebud side of the wilderness.

The Absaroka-Beartooth Wilderness Area, covering 920,310 acres, is an administrated unit of the Gallatin National Forest, http://www.fs.fed.us/r1/gallatin,

 Custer National Forest, http://www.fs.fed.us/r1/custer and the Shoshone National Forest, http://www.fs.fed.us/r1/shoshone. Both Montana http://www.visitmt.com
and Wyoming http://www.wyomingtoursim.org claim sections of this magnificent wilderness.

Sky Top Lake Absaroka Beartooth Wilderness

This mountain range was named after a jagged mountain peak above Hell Roaring Canyon that resembles a bear’s tooth. The Absaroka-Beartooth Wilderness is one of the largest contiguous road less areas in the United States.

The high granitic plateaus of the Beartooth Mountains contain hundreds of lakes that lie throughout the bald rock and alpine tundra. This is a backpacker’s dream, with more contiguous acreage of alpine tundra above 10,000 feet than any range in the lower 48.

We moved on the trail which lead us past Kersey Lake and up toward Fossil Lake. Panoramic views surrounded us with ragged rock peaks and sheer rock walls that plunged down talus slopes to canyon bottoms.

Fossil Lake is the drainage divide between the Clarks Fork and East Rosebud. During the night at Fossil Lake the northern lights glowed along the horizon to the northeast. The faded green light turned to reddish streaks adding to the mystery of stars that blanketed the big sky.

Dewey Lake Absaroka Beartooth Wilderness

On the descent toward East Rosebud we spent a couple of days at Dewey Lake and explored side trails that climbed up to Sky Top Lakes to get views of Granite Peak, Montana’s tallest mountain at 12,807 feet.

Impasse Falls was impressive as it cascaded down the rocky canyon walls. The great diversity of this region really comes into play as the trail crosses paths with dozens of streams, waterfalls and lakes on the descent toward the tiny summer community of Alpine that borders East Rosebud Lake at the trailhead.

The Beartooth’s are very different from its neighbor Yellowstone National Park http://www.yellowstoneparknet.com with so much alpine territory to travel. It is important to allow enough time to enjoy this spectacular country.  Backpackers should allow at least four days. Six or seven days gives one some rest time and opportunities to do some side trails that would expand the experience and soak up the isolation of this wilderness.

Related Posts:
http://myphotovisions.wordpress.com/2009/09/05/track-of-the-grizzly-bear
http://myphotovisions.wordpress.com/2009/02/28/lee-metcalf-wilderness
http://myphotovisions.wordpress.com/2009/03/14/absaroka-beartooth-wilderness

Photographs used in this post are copyrighted by Wayne Scherr, Range of Vision Photography, 2010, All Rights Reserved. Reproduction in any manner is prohibited without the written permission of Wayne Scherr, Range of Vision Photography. My image catalog can be viewed at http://www.rangeofvisionphotos.com. You can contact me through this blog or through email at: wayne@rangeofvisionphotos.com

Not Just for Healthcare But All Living and Work Space

When walking into a healthcare environment what is it that strikes you first? What do your senses evaluate as you make your way to the reception or waiting area?

Are the walls blank and lights harsh?

To most people first impressions say a lot about the care they perceive they will get. Institutional colors and windowless waiting rooms don’t convey care and healing.

King Protea 11x17 print

Current studies indicate that healthcare providers can enhance their space and use it as part of their healing efforts by incorporating softer design elements. This creates a feeling of wellness and the perception of quality care.

The healing process has a place for both high tech and a calming human factor. Natural lighting, non canned music, plants and the introduction of quality, aesthetically pleasing photographic prints diminish the clinical feeling. In the Art of Feng Shui, nature images actually can aid the healing process with less stress.

Healing tones of nature can captivate and ease one into a state of relaxation. Familiar scenes like non representational landscapes and floral displays create a soothing ambiance. This in turn has a significant impact to one’s response to medical procedures. Nature prints can slow the heart rate and blood pressure reducing anxiety and tension levels.

Red Proteas 11x17 print

Using nature imagery as a focal point can make someone feel that time passes more quickly as they get lost in the visual presentation. Positive distractions such as waterfalls, creeks and rivers tend to be positive and reduce muscle tension as viewers drift away into new settings.

Other soft images like rolling landscapes and garden settings that use healing colors and earth tones are also a good source to captivate one’s attention.

In the psychology of color use and the Art of Feng Shui healing the following guide is a suggestion in determining what to display to create a healing atmosphere.

Yellow Proteas 11x17 print

Pink is the color of healing. It is associated with a sense of self-awareness.

Orange can induce tranquility and calmness.

Purple supports mental and physical healing. It has a meditative disposition. 

A color associated with insight and joy is Yellow. This bright color can help lift your mood and enhance a feeling of well being, like the effect of a sunny day.

White promotes love and relationships. It is associated with purity and confidence. Used with gold and silver it generates feelings of calmness. Since white blends with all colors it promotes harmony.

Large uninterrupted areas of white can impart feelings of sterility and starkness. It should be used with caution.

Blue is another calm and soothing color that reflects love and aids in bringing about healing and relaxation. Blue encourages feelings of trust and peace. Blue can promote a mindful, meditative state.

A restful color that supports balance, relief of pain and healing is Green. It can aid in relieving tension and lower blood pressure generating a sense of warmth. All the many shades of green in nature represent regeneration and harmony on an emotional level.

In addition to green, Brown is the most soothing color of nature. Brown evokes a sense of security.

Commonly, abstract images that have sharp angles or make use of intense glaring colors are not very useful for healing practice. Some people can become agitated or confused having to interpret such a photograph. It can create a sense of anxiety for them.

Fine art nature photography can present a very positive energy distraction when displayed in healing environments.

This theme of incorporating nature indoors through photography supports a comfortable ambience not just in health care facilities but also in your home, work place, conference rooms and public spaces in general.

Related Posts:

http://myphotovisions.wordpress.com/2010/1/12/what-can-orange-do-for-you?/

http://myphotovisions.wordpress.com/2009/11/17/purple-an-element-of-fire/

http://myphotovisions.wordpress.com/2009/09/11/can-color-photgraphs-enhance-positive-feelings-of-well-being?/

http://myphotovisions.wordpress.com/2009/09/28/photography-and-feng-shui-for-interior-design/

Photographs used in this post are copyrighted by Wayne Scherr, Range of Vision Photography, 2010, All Rights Reserved. Reproduction in any manner is prohibited without the written permission of Wayne Scherr, Range of Vision Photography. My image catalog can be viewed at http://www.rangeofvisionphotos.com. You can contact me through this blog or through email at: wayne@rangeofvisionphotos.com

What Can the Color Orange Do For You?

Vibrant wall décor can promote a higher level of upbeat energy in your surroundings. If you are looking for vivid accent colors try a photographic print that will give you’re psyche a little boost in concentration or inspire a strong sense of purpose in your home space or work environment.

In the art of Feng Shui placement the color orange, which is a mix of yellow and red, could be what you are looking for. In this ancient practice of presentation and channeling of positive energies in one’s life, orange, has been established as the color that best symbolizes these affirmative energy levels.

Double Orange Poppy 11x17 Print

Orange is a pretty strong fire color but it is definitely less aggressive than red. Obviously an orange painted wall may still be a bit much for most situations however an orange accent image or a triptych series of Giclee prints on watercolor paper or canvas can bring in an awareness of a fire element that is needed to add a cheerful tone to social conversations and good time feelings.

Certainly, this is a subtle thing. Just because you display a print that has a large area of orange does not mean that suddenly you will have greater powers of concentration and your get-togethers’ will be more joyous. It is in combination with other Feng Shui practices that illustrate how you really can target energy flows.

In winter to many people the color orange reminds them of a fire’s glow and a cheerful feeling is expressed when viewing images that employ this tone. Orange is actually a soft color and is easy to live with.  Warm amber light from sunsets streaming in your windows or incandescent lighting can illuminate its nurturing feelings and give a real spark to orange accent pieces.

Double Orange Poppy Patch 11x17 print

An easy way to incorporate orange and nature images into your space is through the use of flowers like these Oriental Double Poppies shown here. Poppies, too, have their own symbols and uses.

Poppies have been cultivated for thousands of years as ornamental garden plants. They include many other colors besides orange and range from dark solids to soft pastels of many shades. Their long stems and large cup shaped flowers are a lively, playful feature in any garden as they dance in the breeze.

So if you have a preference for warm florals try featuring a bit of orange in the form of Giclee prints that can contribute to increased energy levels and build a natural atmosphere that is mentally stimulating and sociable. They will get people talking.

Related Posts:

http://myphotovisions.wordpress.com/2009/11/17/purple-an-element-of-fire/

http://myphotovisions.wordpress.com/2009/09/11/can-color-photgraphs-enhance-positive-feelings-of-well-being?/

http://myphotovisions.wordpress.com/2009/09/28/photography-and-feng-shui-for-interior-design/

Photographs used in this post are copyrighted by Wayne Scherr, Range of Vision Photography, 2010, All Rights Reserved. Reproduction in any manner is prohibited without the written permission of Wayne Scherr, Range of Vision Photography. My image catalog can be viewed at http://www.rangeofvisionphotos.com. You can contact me through this blog or through email at: wayne@rangeofvisionphotos.com

Winter Thoughts – Is This Rejuvenation?

Even though the winter season has just begun, it seems cold weather has held me captive in my home for days.  I didn’t realize how long it had been since I took the time to get out into the mountains. Seeing as it was the first of the year, I felt it was time to process the activities of the past months and try to gain some perspective.

As with most creative people there are spells of inactivity mixed with procrastination and a lull in motivation levels.  I am a photojournalist and fine art nature photographer. When life runs smooth I go through the elation of being in the moment with my work. A bad day has me feeling depressed for letting my conscious voice get the best of me.

At times we are centered in a down flow of a creative energy wave that can be costly to your personal life. It can interfere with business distracting you from your expressive goals as an artist. It can build walls and lead relationships away from your desired objective as with family.

Not everyone in the world understands how the torment of one’s own negative thoughts or how someone else’s simple actions can strike like bolts of lightning and can disable your creative spirit for long periods of time. Things happen.

The energies that define creativity are fragile. They can lift you high or slap you silly. When we are stripped down to basics, if necessary, we start again to rediscover who we really are and why we do what we do.

For some people their art is the, “only”,  aspiration they can see. It’s like a set of blinders that directs your life no matter the cost.

Winter frost Gallatin River

So with all these enchanting thoughts rolling around my head I drove up Gallatin Canyon towards Big Sky this morning. Snow coverage is light to moderate so far this winter with only a twelve inch base built up on the river banks.  At first light it was just plain cold, five below. With the humidity at the river I felt a few shivers up my spine.

Days like this, when I seek renewal, I find comfort in being outdoors. Fresh air and a bit of vitamin D from sunshine is enough to regain some confidence in spirit and nurture a few creative thoughts.

A light wind kept hoar frost from building up on most trees except for a fifty yard swathe near the mouth of the canyon.  Pines on the east side of the river bank were draped in the purity of white with blue sky and river reflections.

No cars or trucks. No birds singing, only a pair of Bald Eagles that nest nearby watched curiously in silence as I labored through the snow. Once, I stood at the water’s edge, I could hear the river speak in muffled tones as small ice flows crashed into boulders and burst into tiny fragments dissolving into the continuous flow.  It was a welcoming metaphor, a peaceful, eternal greeting.

A minute of breathing deep and feeling centered, my thoughts expand and fuse with the stream’s currant. Together, in concert with the river, I extended my reach to grab a slippery rock. It is an alluring vision of a real Photographer’s, (Artist’s), life.  

Somehow, the visual mix of free flowing water and its’ song rushing on the rocks is what I needed to fuel anticipation again and get prepared.

Related Posts:
http://myphotovisions.wordpress.com/2009/11/15/would-you-get-up-early-to-photograph-this/

http://myphotovisions.wordpress.com/2009/11/11/no-fall-color-only-seed-pods-to-photograph/

http://myphotovisions.wordpress.com/2009/12/10/final-fall-visuals-to-keep-the-focus-on-creative-photography/

Photographs used in this post are copyrighted by Wayne Scherr, Range of Vision Photography, 2010, All Rights Reserved. Reproduction in any manner is prohibited without the written permission of Wayne Scherr, Range of Vision Photography. My image catalog can be viewed at http://www.rangeofvisionphotos.com. You can contact me through this blog or email at: wayne@rangeofvisionphotos.com

Snow Ghosts and Winter Photography

We were up in snow ghost country, high in the Gallatin National Forest just west, of West Yellowstone, Montana on a mountain called Two Top. Pure white spectacular snow blanketed all the mountain ranges a hundred miles in every direction. http://www.westyellowstonechamber.com

Snow Ghosts Gallatin National Forest

I am normally not much of a snowmobile person but photography can put you in all kinds of situations. Sitting on top of six feet of snow in near zero temperatures certainly can be part of an assignment for any nature photojournalist. Unique scenarios happen each time the phone rings.

Winter photography is always a challenge. Cold weather, extra bright light and blue reflection shadows are a real test for equipment and personal stamina. Long undies, a snowmobile suit and heavy duty Sorrels take care of the human concerns while zip lock bags and body warmth with deep pockets go a long way in protecting camera gear.

Condensation on cameras and lenses can ruin any photo shoot. Just like glasses that fog up when breathing on them or entering a warm room coming in from the cold your lenses and camera does the same. It can take hours to remedy this kind of water situation.

Always keep extra batteries, scan cards or film, if you are not using digital, deep inside your coat.

A disaster situation example for me happened while on a winter assignment in Yellowstone National Park, http://www.yellowstoneparknet.com/ at minus 50 degrees, I managed to keep frost off my camera but later found I lost all the days’ images due to reticulation of my film and lubrication oils freezing from the solidifying temps.

I had great Bison and elk shots with fur covered in thick frost, plus geysers and hot springs enhanced by low lying icy fog. The images turned out fine however, every frame was plastered in pot marked crystals of ice.

It is a hard lesson to learn before having to confront my client and explain why their monetary and time investment in my services failed. They will never call again. The message here is to be prepared for all eventualities and know what you are getting into.

Snow Ghost Formations

Besides the cold, exposure with bright whites and contrasting blue shadows can also be a problem with winter photography. If you just go with your average meter reading from your camera you will get a nice grey tone instead of detailed bright whites for snow.

Your meter is always reading an 18% gray so you have to make some exposure compensations. Usually an added compensation of +1 or +2 stops will give you the detail required in whites. When in doubt and you have a great scene before you it is always good to bracket a bit because you probably won’t get that second chance.

A gray card is your best bet for winter landscape photography. Place your card in the same light angle you are shooting in. Fill the frame with the card and take a meter reading. Then recompose and expose with that reading even though your camera will then give you a different meter reading. It can be a little tedious but it really works.

Since you cannot recover details in blown out highlights it is best to expose for them first hand. A circular polarizing filter can also come in handy. It reduces glare and enhances the sky which can add a little more drama.

To me one of the best rewards of winter photography is the hushed atmosphere that is prevalent in nature.  This sensation is even more pronounced in the backcountry as when sitting on top of Two Top Mountain in the Gallatin National Forest, http://www.fs.fed.us/r1/gallatin/, surrounded by magnificent sculpted snow ghosts. They speak of a different world wrapped in the purity of white and occasionally share it with those who seek life’s spirits.

Related posts:

http://myphotovisions.wordpress.com/2009/02/28/lee-metcalf-wilderness/

http://myphotovisions.wordpress.com/2009/03/14/absaroka-beartooth-wilderness/

http://myphotovisions.wordpress.com/2009/03/28/yellowstone-national-park/

http://myphotovisions.wordpress.com/2009/05/02/crown-of-the-continent-glacier-national-park-montana/

http://myphotovisions.wordpress.com/2009/06/28/the-pristine-thorofare-a-yellowstone-experience/

http://myphotovisions.wordpress.com/2009/05/08/salty-legs-and-mountain-goats/

http://myphotovisions.wordpress.com/2009/09/05/track-of-the-grizzly-bear/

Photographs used in this post are copyrighted by Wayne Scherr, Range of Vision Photography, 2009, All Rights Reserved. Reproduction in any manner is prohibited without the written permission of Wayne Scherr, Range of Vision Photography. My image catalog can be viewed at http://www.rangeofvisionphotos.com. You can contact me through this blog or email at: wayne@rangeofvisionphotos.com

Final Fall Visuals to Keep the Focus on Creative Photography

Today, wind has gathered grey clouds with a minus 24 degree temperature.  Silenced by a deep winter blanket of snow Bozeman is quiet today, just after a week of sun and above normal temps. A new season has made its’ transition.

With no large fall landscapes to photograph this year because of an early freeze in October, I had to be content to work on close ups and search for compatible light in my backyard garden last week.

Autumn Leaf - Digital Print

Living in the mountains I like the grand vistas of autumn with colorful aspen, maple and cottonwood trees. It is easy to bypass the individual or smaller splash of color. The garden was stark and matted down with only a few leaves hanging on twisted branches.

Twigs rubbing on a wooden shed caught my attention.  A handful of leaves clung to the shrub. Backlit they stood out from the grey weathered shed. It gave me possibilities.

Using macro focus and a very shallow depth of field I isolated a single leaf, blurred the background and utilized the stem, twig and limb structure of the shrub to draw the viewer further into the image. My composition was clean and simple, offsetting the leaf and getting the plane of focus accurate enough to give the setup a three dimensional feel.

Hanging Hollyhock Leaves - Digital Print

A series of images produced both back and front lit leaves incorporating small branches with an almost bonsai structure setting.

Autumn Leaf 6 - Digital Print

The south side of the garden produced a different scenario. A withered Hollyhock with a string of leaves hung from a downed stalk, only inches from the ground. I thought the background was busy however I really liked the colors of border rocks and blue shadow playing on the ground behind the dead leaves. I stayed with the shallow depth of field and used my macro focus on a 200mm lens compressed the image and isolated the subject.

The shrunken leaves reminded me of mice hanging by their tails. I laughed.  Good light was essential to the success of the image. It gave me crisp detail and subtle color that created a late moody autumn shot.

A final arrangement consisted of wrinkled Hollyhock blossoms with only a touch of deep wine red in the gnarled petals. Seed pods formed a bug eyed Preying Mathis in my minds’ eye so I recomposed to depict the essence of the bug structure with an illuminated background.

Bug Bud - Withered Hollyhocks

Guess, I will call it a whimsical abstract.  Look hard you may see it too.

This weekend having to bare the winter chill I’ll get out there again with camera in hand.  Colors are more monochromatic and compositional lines both sensually soft and with deep shadows, very graphic.

There is no ideal time of day or season to go outdoors and have some fun finding the flow of energies that gather before your lens. It is the visual exercise and the process that counts. You need to stay creative no matter what.

Related Posts:
http://myphotovisions.wordpress.com/2009/11/15/would-you-get-up-early-to-photograph-this/

http://myphotovisions.wordpress.com/2009/11/11/no-fall-color-only-seed-pods-to-photograph/

Photographs used in this post are copyrighted by Wayne Scherr, Range of Vision Photography, 2009, All Rights Reserved. Reproduction in any manner is prohibited without the written permission of Wayne Scherr, Range of Vision Photography. My image catalog can be viewed at http://www.rangeofvisionphotos.com. You can contact me through this blog or through email at: wayne@rangeofvisionphotos.com

Headwaters – Three River’s Rush Through History

 

Our canoes slipped silently through the chilly waters of the Madison River. A few geese honked overhead and ducks splashed along the shoreline seeking safety in the reeds and overhangs.

The ceaseless current guided our crafts past eroded sandstone and mud packed banks, on this stretch of the river it carved them into endless shapes.

Madison River near Three Forks, Montana

I couldn’t help but fantasize about Lewis and Clark and the Native Americans who also floated and crossed this scenic river in the not so distant past. Not a lot has changed since those canoes pasted this way. The cottonwood trees that bore witness are still standing tall near the water’s edge.

If you read the 1805 journals of the Lewis and Clark Expedition, http://www.lewisandclarktrail.com, then you know where to find their campsites and place yourself in their footsteps building campfires and setting up their tents. History is all around.

The damp scents of the river and sweet cottonwoods invigorate my senses. It is easy to stay alert, watching for game, or picturing a Hidatsa Indian party riding up on the ridges, looking for Sacagawea. Her kidnapping was the beginning of a venture that led her into the annals of history in the American West and relocated her far from her homeland.

Missouri Headwaters State Park, Montana

We drifted on the river’s flow past Three Forks, Montana, www.threeforskmontana.com, and on toward the Missouri River Headwater’s State Park. Headwaters, or as most of those who live here, just call it “Three Forks”, is the geographic confluence of the Madison, Jefferson and Gallatin Rivers and forms the headwaters of the Missouri, the longest river in the  U.S.

Each river has its own course flow and visual landscape. Friends and I have had many adventures, seeing the sights, on these clear water tributary trips. Deer, Moose Eagles, Heron and, of course, rattlesnakes are all out there.

Each season different animals appear, just like the transition of wildflowers from Sagebrush Buttercups to Queen Ann’s Lace or the brilliant color change from early green spring willow buds to bright yellow autumn leaves. All you have to do is pay attention.

And these graceful rivers will grab your attention!

Contact Information: Missouri Headwaters, Region 3 FWP Office, 1400 S. 19th St. Bozeman, MT  59715 or call (406) 994-4042.

For Further Information:

Bozeman Chamber of Commerce – http://www.bozemannet.com

Information on the Lewis and Clark Trail – http://lewisandclark.state.mt.us/discovery.shtm

Montana Department of Commerce – http://www.travelmt.com

Photographs used in this post are copyrighted by Wayne Scherr, Range of Vision Photography, 2009, All Rights Reserved. Reproduction in any manner is prohibited without the written permission of Wayne Scherr, Range of Vision Photography. My image catalog can be viewed at http://www.rangeofvisionphotos.com. You can contact me through this blog or through email at: wayne@rangeofvisionphotos.com 

You Can’t Always Photograph What You Want

Twice I had to stop and tighten the leather cinch on my saddle. It kept sliding to the right and I felt like I was riding on a slant about to fall off. Each time I dismounted to make the adjustment my horse, named Charlie, would take a deep breath filling his lungs with air.

When I remounted he would exhale and loosen the saddle again. He thought he was tricky but I got him the third time, stalling long enough to get those straps tight and my saddle straight. 

This was my first photo assignment that covered a cattle drive. I had been on many pack trips into the wilderness and photographed more than a dozen rodeos, but this was my first real working cowboy experience.

Cattle Drive in Centennial Valley, Montana

Of course not being a wrangler, (I don’t like the word dude), I was elected to ride the dusty drag line bringing up the rear, herding any stragglers wanting to double back to the ranch, and turn them toward new pastures as we approached the Centennial Valley.

The Centennial Mountains in Southwest Montana cover a swathe of some 28,000 acres and has some of Montana’s best wild and very rugged country. They connect the northern Rocky Mountains with the Greater Yellowstone Ecosystem. 

This rough range runs along the Idaho-Montana border south east of Dillon, Montana with prime vistas and a notable wildlife population. http://www.dillonmontana.net

Native American tribes, especially the Shoshone-Bannock and the Nez Perce knew the Centennial Valley very well as it was a favored travel route between the headwaters of Big Hole River and Yellowstone country to the east.

At the base of the Centennial Mountains on the north side is the Red Rock Lakes National Wildlife Refuge. Red Rock Lakes is designated a National Natural Landmark, (http://www.redrocks.fws.gov/) as well as one of the few marshland Wilderness Areas in the United States.

Centennial Mountains

Its diverse natural habitat provides an ideal nesting environment not only for swans, Sandhill cranes and other waterfowl but numerous hawks, eagles and peregrine falcons. The massive Centennial Range protects the valley and dominates the southern skyline blocking any view of Idaho.

Some years ago I taught Wilderness Photography Workshops through a local guest ranch that borders the Refuge so I was very familiar with the geology and terrain we were working the cattle into. Our ride was slow and very dusty as we moved 250 head of cattle from the Matador Ranch into the broad picturesque Centennial valley.

Although there were a dozen riders it was really the Australian Shepherd and Blue Healer dogs that did most of the work. Just a few barks and nips kept the cows bunched as they herded them in the right direction.

Three of the drovers chased down the strays that would take off running into the sage bellowing and crying out as if a bug had just bit them in the butt.

The quarter horses we rode knew just what to do. They could turn on a dime nosing the cows around not letting any steer get ahead of them. Actually, those of us ridding drag just took in the sights and occasionally cracked a bullwhip, more for the fun of it then a disciplinary tactic against a steer.

Two of my fellow riders were writers on this project so I just worked on some action shots of wranglers, faces and expressions. Only once was I able to get in front of the herd to photograph the oncoming steers and cows.

This was a bit disappointing to me. At times when on an assignment you have to accept what is offered, when you are a guest, even after you try to explain why you are there and the kind of imagery you want to expose for, to tell your story. Sometimes, you just can’t push the issue. You have to make the best of it.

I accepted the issue at hand and still enjoyed the day. I photographed the basics for the story and played cowboy working on my horsemanship.

Trumpeter Swans

In the distance from the hills behinds us in the west, just barely above pine tree level, we could hear honking. Even above the constant moos and bellows of calves and cows, it grew louder. Then perhaps fifty or more Trumpeter Swans flying in a tight V formation zoomed overhead soaring toward the Red Rock marshes. Honking was so loud even the steers and horses looked up to see what was going on.

It was as if the world stopped, the entire herd, horses and riders were suddenly silent and a vortex opened allowing the flight of trumpeting white swans to pass through, channeled directly to the lakes just below us.

A whip crack snapped in the air, the vortex closed and the cattle drive was back on.

Photographs used in this post are copyrighted by Wayne Scherr, Range of Vision Photography, 2009, All Rights Reserved. Reproduction in any manner is prohibited without the written permission of Wayne Scherr, Range of Vision Photography. My image catalog can be viewed at http://www.rangeofvisionphotos.com. You can contact me through this blog or through email at: wayne@rangeofvisionphotos.com

Would You Get Up Early to Photograph This?

The Grand Teton and eight other peaks stand at over 12,000 feet with the Grand at 13,770 ft. the tallest in the range. Autumn is my favorite time to visit this National Park in Wyoming.  www.grand.teton.national-park.com . It doesn’t matter which side of these mountains you are on, the colors are magnificent.

Yellow and gold Quaking Aspens plus the splashes of red maples and green pine seem to be as dominant in the landscape as the snow capped peaks and the curve of the Snake River that carves the valley floor.

Teton Range Idaho 11x17 print

With only two roads bisecting the Park unless you hike one of the 200 miles of trails for a different view your fall images can have a tendency to look similar to other photographers all searching for their own point of interest. But with that in mind you have some alternative choices that can give your photos a slightly different take. www.fs.fed.us/btnf/

This glaciated landscape is vast with no foothills just the jagged mountain mass jutting up from the valley floor. Tuning into the heart of the Yellowstone ecosystem one can’t help but be open to the Native American travel lanes and the mountain men who explored this wilderness just two hundred years ago. Knowing a little history and geology of the location you travel to opens your psyche to more photographic possibilities.

The Tetons were named by French fur trappers who when on the Idaho side of the range thought several peaks resembled women’s breasts. Guess they were on the trail a long time. A long list of historic figures explored these U-shaped valleys and alpine topography.

Autumn Teton National Park 11x17 print

Jackson Hole community, (www.jacksonholewy.net), was named after a fur trapper, David Jackson, who would “hole-up” in this location in the late 1820’s. John Colter a member of the famous Lewis and Clark Expedition was the first non-native American to experience the grand spectacle of the Tetons in 1805.

You can’t help but photograph the grand vistas. This Park is perfect for wide angle images. Because the Tetons run north – south morning light gets flat fast so you have to be aware of parting clouds and other weather phenomenon that can enhance the scene.  You have to be disciplined to get up early and be on location to record those miraculous moments when it is all about the warm glow light.

Fall Landscape Tetons 11x17 print

To travel means you are a tourist and of course it is OK to compose and record the common scenes that everyone photographs. But do not stop there. Squat, climb or perhaps choose a strong foreground or the vanishing point perspective of a river or creek to put your own slant on things.

Use all the lenses in your arsenal to interpret what presents itself to your view and try various exposures that can improve texture and color. Sometimes it can be a simple polarizing lens that amplifies the intensity of the endless blue sky and white cirrus clouds that peaks your interest. Experiment, search and interpret your experience this Rocky Mountain destination. www.nps.gov/grte

Related posts:

http://myphotovisions.wordpress.com/2009/11/11/no-fall-color-only-seed- pods-to-photograph/

http://myphotovisions.wordpress.com/2009/02/28/lee-metcalf-wilderness/

http://myphotovisions.wordpress.com/2009/03/14/absaroka-beartooth-wilderness/

http://myphotovisions.wordpress.com/2009/03/28/yellowstone-national-park/

http://myphotovisions.wordpress.com/2009/05/02/crown-of-the-continent-glacier-national-park-montana/

http://myphotovisions.wordpress.com/2009/06/28/the-pristine-thorofare-a-yellowstone-experience/

http://myphotovisions.wordpress.com/2009/05/08/salty-legs-and-mountain-goats/

http://myphotovisions.wordpress.com/2009/09/05/track-of-the-grizzly-bear/

Photographs used in this post are copyrighted by Wayne Scherr, Range of Vision Photography, 2009, All Rights Reserved. Reproduction in any manner is prohibited without the written permission of Wayne Scherr, Range of Vision Photography. My image catalog can be viewed at http://www.rangeofvisionphotos.com. You can contact me through this blog or through email at: wayne@rangeofvisionphotos.com

 

No Fall Color, Only Seed Pods to Photograph

 

Fall was lousy this season in Montana. We had an early hard freeze, single digits, in early October, when all the leaves were still green. Then it snowed several inches of wet slush breaking branches and leveling bushes and flowers all around town.

When it warmed up again the shriveled blackened leaves just dropped to the ground leaving things rather bleak looking. Normally, fall will last two to three weeks and you can follow the colorful changes along each valley and riverbed up into the mountains. Sadly, it was not to be this year.

That was October. Now in the middle of November it is 55 degrees and everyone is walking around in shorts, without jackets, thinking it is summer again.

So my plans for autumn landscape photography fizzled.  Bit disappointing but you have to take what you get since that is just the way things are.

Today, I went to several stores looking for flowers or a nice colorful plant to photograph but nothing clicked.  This afternoon I went walking instead and found these Blanket flower seed pods near a pond just on the outside of town. Not a lot of color and not the warming hues of yellows and reds I wanted but they did catch my eye.

Blanket Flower Seed Pods

They are both soft and sharp at the same time. Cold, brown, even dead looking yet there is some warmth and life still there pushing out into the sunlight. Strong backlight pulled the image together and gave it dimension. Otherwise it would have blended right in to the lifeless scene.

I like the mottled background of this image. It adds texture to the scene by repeating the circles.

It wasn’t a bright autumn landscape but being open to circumstances and making an effort to see what is there usually means you can connect. That is really all I was asking for.

What do you do when what you hope to photograph just isn’t there?

OK, so the next post will be about those bright fall color landscapes found in the Tetons of Wyoming and Idaho.

Photographs used in this post are copyrighted by Wayne Scherr, Range of Vision Photography, 2009, All Rights Reserved. Reproduction in any manner is prohibited without the written permission of Wayne Scherr, Range of Vision Photography. My image catalog can be viewed at http://www.rangeofvisionphotos.com. You can contact me through this blog or through email at: wayne@rangeofvisionphotos.com

What Flies Beyond Imagination?

Standing on top of the Mesa, at Island in the Sky, sheer sandstone cliffs descend a thousand feet and more. Views are fantastic in every direction. You could be on another planet. A wilderness of red rock formations this is a high country desert unlike anywhere else on earth.

Canyonlands, in southern Utah, is at the heart of the Colorado Plateau. It spreads over 527 square miles of diverse desert highlands and is Utah’s largest park.
Canyonlands National Park (435-719-2313) www.nps.gov/cany .

Weather of water and wind plus the pull of gravity have carved this terrain, cutting into its red layers of sedimentary rock gouging out dozens of colorful canyons, magnificent mesas, bowing arches and sprawling spires.

This land is other worldly, bleak, powerful and beautiful. Canyonlands is as rugged as anywhere in the world. Its’ wild red desert atmosphere is contrasted by the rich blue endless sky. More than 150 million years of geologic forces continue their daily shape shift to the cliffs and canyons engraved by the Colorado and Green Rivers.

Canyonlands is visually fantastic, a dream of ancient earth.

Island in the Sky, Canyonlands, Utah 16x24 Giclee Print

Its’ colorful landscape was once inhabited by Ancestral Puebloan Indians.  Some of their stone and mud dwellings are well-preserved and can be seen along with some remarkable petroglyphs. We stood in awe of those in an area called Newspaper Rock. They looked like aliens from space with large heads, big eyes and wistful bodies.

We explored all day working on landscape photos and taking in the drama that appeared at every turn on the hiking trails. Our trip was in late May so the weather was warm but not the blistering heat that permeates the summer months. Still twelve hours plus in the sun was enough for this day.

There are few roads but many trails for foot and bike traffic in the three main sections of the park. Island in the Sky, The Needles and The Maze are each unique in their geology. They are remote and require a lot of time for personal discovery.

Relaxing at camp after our fourth day hike with a crackling fire was welcomed and following dinner we settled in closer to the flames as the night covered us with a shadowy blanket. Brilliant starlight spilled out from the blackness of the universe.

Laid back we were identifying constellations, watching for satellites and shooting stars. Even the Milky Way stretched brightly from horizon to horizon.

Sap imbedded in the logs we burned snapped and kept shooting sparks into the night like a mini volcano. One red hot ember ejected straight into my eye. My reflexes made me shut my eyes a fraction of a second before it hit me singeing just my eyelid and lashes. Not too serious but it was great camp excitement to end the day. So we thought.

Coyotes howled in the distance, probably miles apart. Their songs seemed to echo up from the river and along the steep canyon walls. We were lost in the moment.

Suddenly, a brilliant light shot through the night sky from the north. It was much faster than any of the satellites that we had seen before. Abruptly, it stopped dead in the heavens, zigzagged like someone scribbling on a note card and then took off in an instant 90 degrees to the west. We were speechless for several seconds trying to comprehend what we had just witnessed.

All of a sudden, a loud excited gasp rose from the campground breaking the silence. Many other people had seen what we had just observed. What the hell was that? What did we all just see? Chariots of the Gods?

Were these alien signs, petroglyphs and flying objects just all imagined with a blistered eye?

Back home in Montana we have relived this episode a dozen times. Was it real? What flies beyond our imagination?

Canyonlands National Park
2282 Southwest Resource Boulevard
Moab, UT 84532-8000
United States

Map Canyonlands National Park

Phone 1 (435) 719-2100
Fax 1 (435) 719-2300

http://www.nps.gov/cany

Canyonlands Natural History Association
http://wwwcnha.org

Canyonlands Information:

http://www.americansouthwest.net/utah/canyonlands/national_park.html

Hiking and Biking Trails:

http://www.utah.com/moab

Photographs used in this post are copyrighted by Wayne Scherr, Range of Vision Photography, 2009, All Rights Reserved. Reproduction in any manner is prohibited without the written permission of Wayne Scherr, Range of Vision Photography. My image catalog can be viewed at http://www.rangeofvisionphotos.com. You can contact me through this blog or through email at: wayne@rangeofvisionphotos.com

 

 

What is the Value of a Photograph that Feeds Enchantment to Your Soul?

When a photograph touches your heart and brings you closer to the hum of life is it worth investing your savings in this piece of artwork? How do you place monetary value on something that is subjective at best?

Over the years of my travels I have collected several very meaningful pieces of artwork that remain very precious to me. I have a watercolor painting from a young Massai man that I met in Tanzania that will always remind me of the red suka caped warriors herding their cattle on the savannahs of the Serengeti.

It is a simple but graphic depiction and it places me back on safari instantly with all its sights and scents.  I recall Massai with perfect English and cell phones standing next to their mud packed bomas surrounded by acacia thorn fences and on the lookout for lions.

Savannah Lion 11x17 Digital Print

 The print is placed next to two larger companion photographs I composed of lions, one up in an acacia tree, another, sitting in the savannah grasses, like the Lion King. They complete the picture, so to speak, for me. They bring the emotion of the location and experience to my senses.

How do you place value on this feeling that these images give to me?

My walls at home are covered with photographs, paintings, carvings and other pieces of artwork, mostly my own but each of them transports me to different worldly locations that make up the journey of my life.

Outrigger Canoe 11x17 Digital Print

A petroglyph plied from volcanic ash to a shaft of coconut fiber husk is displayed next to a series of photographic Giclee watercolor prints that depict an ancient Polynesian village. The thatched hut, waterfall and outrigger canoe complete the desired effect of my dreamtime where I may be a sailor from Captain Cooke’s sailing adventures  or a Gauguin character lost somewhere in the tropical South Pacific.

The artistic expressions that are created cannot be repeated. We may record something similar but no two days are ever the same. Sunrises are different. Everything changes. Capturing moments in time are singular to that event.

Tached Hut 11x17 Digital Print

If what attracts you brings you joy, buy it. Its value lies in what it brings to your soul.

When you have that source of inspiration in hand and are ready to purchase your photographic print it is important to be sure that what you are getting is as archival as possible, not only how it is reproduced but also in how it is displayed.

You want to use acid free mounting boards, linen tape and glass that does not touch your print all exhibited in good light but not placed in direct sunlight.

Those emotions that pulled you into the photograph will fade fast if the print breaks down and loses it resilience, disappearing before your eyes in a few short years. You want to relive those moments over the course of your lifetime.

In general fine art photographs are more archival than ever before. I prefer Giclee prints reproduced on a watercolor substrate or canvas. Both have a unique individual look about them with vibrant, saturated color and archival finishes. Standard digital prints will also last longer with today’s technologies. This becomes the choice of the artist’s creative expression and how the completed image is produced.

Displaying fine art photographs or other pieces of artwork in your living or work space is a momentary escape when viewed. Like a brief meditation you can take a series of deep breaths and recharge with positive memories and emotions. You will find that devoting a little savings into such personal pleasures will fill your life with just a little more happiness.

Related Posts:

http://myphotovisions.wordpress.com/2009/10/24/hoe-to-keep-viewers-looking-longer/

http://myphotovisions.wordpress.com/2009/09/11/can-color-photgraphs-enhance-positive-feelings-of-well-being/

http://myphotovisions.wordpress.com/2009/09/28/photography-and-feng-shui-for-interior-design/

Photographs used in this post are copyrighted by Wayne Scherr, Range of Vision Photography, 2009, All Rights Reserved. Reproduction in any manner is prohibited without the written permission of Wayne Scherr, Range of Vision Photography. My image catalog can be viewed at http://www.rangeofvisionphotos.com. You can contact me through this blog or through email at: wayne@rangeofvisionphotos.com

How To Keep Viewers Looking Longer

For dynamic eye catching wall décor think about using a theme series or picture set that will pull your viewers attention and hold them for a period of time.

Photographic prints especially those reproduced as Giclee images on watercolor paper or canvas substrate are generally done in high resolution with deeply saturated colors.  They really do demand attention directing the viewer to explore the image content further.

Mountain Goat - 11x17 Giclee Print

A themed series can be of any subject matter but nature works best for healthcare facilities, offices and public open spaces. Even here images can be mixed.

A central landscape Giclee print utilized as the centerpiece like St Mary Lake in Glacier National Park, illustrated here, can be balanced with two or more wildlife prints like the mountain goat and bighorn sheep. They are all compatible because both animals are found in the high country of Glacier.

They complement each other expanding the viewers’ perception of the outdoors and present a certain visual intimacy to the rugged mountains, even if the observer has never been there themselves. Themes should have a sense of similarity in topic.

St Mary Lake - 16x24 Giclee Watercolor Print

If you are not into wildlife and prefer floral prints, flowers with bright colors present another good combination. As long as the subject relates to the central image the set will add positive energy to the environment they are displayed in.

Bighorn Ram 11x17 Giclee Print

Custom Giclee prints do not all have to be the same size either. Vary them for added visual impact. One large photographic print can carry the rest with other sizes in support of the main one.

Most of the time odd numbers work the best in design and layout so once the dominant print is chosen they can be offset or balanced with several smaller prints arranged in a pleasing manner.

Prints matted and framed can be grouped together or spread along your entire display space. However spreading images too thin will actually detract and confuse the viewer. Sometimes you may have to invest in more prints and have several groupings to cover the environment you have to work with.

Muted Dahlias - 16x24 Giclee Watercolor Print

You can also choose a more generic; more accessible landscape to appeal to the armchair traveler and off set it with florals or wildlife reproductions. It depends upon your ideas and personal tastes. Choice matters here at this stage of the decision making.

To some people that may all seem to formal a theme to live with and would prefer large photographic prints of just garden flowers. Here again choice is what matters. Flowers can be close up reproductions almost abstract in content but very bright with vivid, saturated colors and graphic in design.

Delicacy Dahlia - 12x12 Giclee Watercolor Print

At this point you can go for color that is compatible with your walls or other accents you are using regarding your use of space and décor. Do you require soothing, calming hues of blue and green or motivational active colors like red and yellow as the dominant attraction?

Some people feel that small prints have more intimacy toward the viewer. However large, mural style images are actually the best draw for large spaces like offices and healthcare facilities. You want to attract people and involve them from the moment they enter the room and if you have open space smaller prints can be ignored.

When displaying multiple images you want to create a visual pace to the presentation.  In choosing images for a set consider exhibiting a long shot, medium and close up, perhaps even an extreme close up and then another medium or a couple of close ups and then a macro shot.

Pastel Dahlia - 16x24 Giclee Watercolor Print

Giving a visual pace will keep your viewers interest at its peak. Seeing the same size image in prints actually becomes distracting or a bit boring. Repetitive image size of the subject is a good way to have an uninspiring display.

I have seen many art shows that had excellent landscape images but after four or five of the same horizon line or the subject dead in the middle of the print I lost interest. Showing twenty or thirty prints of the same visual interest is a good way to have your best images ignored.

The same holds true for displaying prints in public spaces, offices or your home. You can have all 16×24 prints that are matted and framed the same but vary the image content mass and you will get stronger reviews and comments. The viewer wont know exactly why but the element of intrigue will sustain them.

Related Posts:

http://myphotovisions.wordpress.com/2009/09/11/can-color-photgraphs-enhance-positive-feelings-of-well-being/

http://myphotovisions.wordpress.com/2009/09/28/photography-and-feng-shui-for-interior-design/

Photographs used in this post are copyrighted by Wayne Scherr, Range of Vision Photography, 2009, All Rights Reserved. Reproduction in any manner is prohibited without the written permission of Wayne Scherr, Range of Vision Photography. My image catalog can be viewed at http://www.rangeofvisionphotos.com. You can contact me through this blog or through email at: wayne@rangeofvisionphotos.com

Purple – An Element of Fire

Purple – The combination of blue and red creates a very intriguing color of an almost sacred nature. For many people the color purple has always been a symbol of royalty. Since it was a rare color to duplicate emperors, kings, and religious officials used it as a sign that promoted nobility and spirituality.

Delphinium digital print

Purple has the characteristics of being stable and presents a calming demeanor to the viewer when photographs with this mystical color, such as the floral images used to illustrate this post, are used as wall décor in health care facilities, home or office space.

Since purple is such a high vibration chakra color it should be used rather sparingly. This would mean that purple painted walls would be a bit strong, giving a rather moody feeling, to look at while a photo like a Giclee fine art watercolor or canvas print with elements of the color purple in it would be more mysterious and exemplify a sense of excitement to the viewer.

The delicate hues of this digital delphinium print demonstrate how this color can be used in moderation. Used as a combination print set or picture pair with the dendrobium orchid they can present a bit of reassurance and comfort to the observer.

Dendrobium Orchids Giclee print

This color scheme can be used to promote creativity and imagination. There are many hues and characteristics of purple from lavender, lilac and amethyst to a deep wine shade. In the realm of Feng Shui they are best used with some restraint but they can become an eye catcher when used as spot color in the process.

In future posts I will discuss several other colors, photographic prints and their function regarding Feng Shui and interior design. If you have some suggestions for the use of the color purple please add your comments to this post.

Related Posts:

http://myphotovisions.wordpress.com/2009/09/11/can-color-photgraphs-enhance-positive-feelings-of-well-being/

http://myphotovisions.wordpress.com/2009/09/28/photography-and-feng-shui-for-interior-design/

Photographs used in this post are copyrighted by Wayne Scherr, Range of Vision Photography, 2009, All Rights Reserved. Reproduction in any manner is prohibited without the written permission of Wayne Scherr, Range of Vision Photography. My image catalog can be viewed at http://www.rangeofvisionphotos.com. You can contact me through this blog or through email at: wayne@rangeofvisionphotos.com

Gold Rush Ghost Towns – Part 2

 Working on a book project illustrating ghost towns for a Canadian publisher I had a chance to explore some of the backroads of southwest Montana. After spending a few days in the Pintler range photographing Southern Cross above Georgetown Lake and Granite just outside Philipsburg I ventured south toward Ennis and Dillon.

Here I delved into the more preserved ghost towns of Bannack State Park, Bannack State Park, www.bannack.org, Virginia and Nevada Cities, Virginia City Chamber of Commerce, www.virginiacity.com rich in the history of gold in unparalleled settings.

Interior Bannack Bar

Walking the boardwalks of Bannack or Virginia and Nevada Cities your first visions are that of the American west. Worn planks creaked beneath my feet just as they did a hundred and fifty years ago for the pioneers that came this way.

The pungent scent of sagebrush and weathered wood fills the air as you keep looking for the horsemen that should be riding into town for the proverbial gunfight or dance hall brawl.

You get the sensations of Hollywood’s cowboy movies, the one’s many of us grew up on. But beyond the thoughts of John Wayne or Jimmy Stuart facing off the bad guys in the street there is real tactile history here.  

For thousands of years along the Ruby, Snowcrest and Gravelly ranges there were hunters and gatherers by the tribal names of Cree, Blackfeet, Shoshoni, Crow and Bannock. Then once the trappers, miners and ranchers came they displaced the native populations that had come before them.

Nevada City Street Scene

Montana’s biggest and richest gold strikes were located at Grasshopper Creek, near Bannack, and Alder Gulch just outside of Virginia City. It brought thousands of prospectors and those who serviced them to southwest Montana.

There were shootists, thieves and others that followed this path of land exploitation.  In Bannack vigilante justice, Henry Plummer and the hangman left their mark just as gold mining did. As I photographed this historic location I could not help but wonder if ghosts still roam the backrooms of the bars and livery stables.

Frayed rope swings in the wind from the gallows just on the edge of town as you follow the path uphill toward a collapsed mine entrance. What stories could these ropes tell the modern day traveler?

Livery Stable

Now a State Park there is much to photograph at Bannack. During the summer months life comes to Bannack with all kinds of activities and a Pioneer Festival that is well worth attending. 

The main thing for me was just getting lost in the history. I was intrigued by the interiors, especially the Bannack bar with sheer curtains blowing in the hot summer wind. What tall tales could these buildings reveal about the personalities that came this way? Beaverhead Chamber of Commerce – Dillon
www.beaverheadchamber.org

Virginia City is very much alive today. Most of it has been restored and seems frozen in time. Nearby Nevada City is an open air museum where everyone can explore even the interiors of the Victorian buildings.

Hot Baths 25 cents

From 1863 through 1868 the region was overrun with miners as gold was discovered in nearby Alder Gulch. Placer miners used pans, sluice boxes, hydraulic nozzles and gold dredges. Even hard rock mining left no stone unturned.

More than 90 million dollars worth of gold was extracted from Alder Gulch. The activity was supported by nearly 10,000 people as Virginia City replaced Bannack as Montana’s Territorial capital.

Nevada City looks like a movie set. In fact there have been films made here because of its authenticity. It is actually an assembled community with buildings brought in from various locations.

Meals lamp post sign

I investigated several buildings along the boardwalks photographing exteriors and peering into the windows checking out what furnishings they still had. I was drawn to the painted signs on a few of the structures. They seemed to say as much about the history as the log, plank and river rock shops themselves.

There are not very many places where man made history is so pervasive in the west as these three communities. They are impressive because they were real places that were inhabited with real people who lead rough lives and changed this part of the world.

 For more information about these and other ghost towns in Montana please refer to these websites:

Montana Travel Department of Commerce
www.visitmt.com
Philipsburg Chamber of Commerce
www.philipsburgmt.com
Montana Ghost Town Preservation Society
www.ghosttown.montana.com
Montana’s Goldwest Country Travel Region
www.goldwest.visitmt.com
National Forest Service
(Beaverhead-Deerlodge National Forest)
www.fs.fed.us/r1/b-d/
Montana Department of Fish, Wildlife, and Parks
www.fwp.mt.gov

Related Post: http://www.myphotovisions.wordpress.com/2009/10/05/ghost-towns-of-western-montana-part-1
Photographs used in this post are copyrighted by Wayne Scherr, Range of Vision Photography, 2009, All Rights Reserved. Reproduction in any manner is prohibited without the written permission of Wayne Scherr, Range of Vision Photography. My image catalog can be viewed at http://www.rangeofvisionphotos.com. You can contact me through this blog or through email at: wayne@rangeofvisionphotos.com

Ghost Towns of Western Montana – Part 1

Sun, wind and the ravages of both time and man have taken their toll on these weathered and worn buildings. Exploring their remains you cannot help but wonder what stories they have to tell. It is easy to sense the memories and imagine the personal stories of miners, cattlemen, outlaws, lawmen and dance hall women.

Everyone was an immigrant here, a traveler from some far off place in the world drawn to these wilds by the promise of gold, silver or some other form of currency. It was a rough way of life in these remote mountains and for a brief time it flourished in the rush for fortune.

Elkhorn ghost town south of Helena

My work progressed while photographing on an assignment to illustrate a travel guide article about ghost towns in western Montana. www.visitmt.com The historic mining communities of Elkhorn and Granite were my first two stops.

The false fronts of Elkhorn, www.ghosttown.montana.com, just south of what is now Montana’s capital, Helena, once promoted fourteen saloons among its seventy-five or so buildings. Elkhorn’s treasures yielded over $14 million in gold, silver and lead to its hard living people.

You can’t help but wonder how noisy these streets may have been on Saturday nights during Elkhorn’s heyday. Did the sounds of fiddles and accordions carry their dance tunes far down the dusty rutted road toward the Boulder River? Somehow I don’t think it was always the quiet and serene place that it was this day.

Standing outside the ornate false front of the lonely Fraternity Hall ones imagination can still hear the laughter and song emanating from its wooden planked walls, glassless windows and squeaky door frames.  This day had storm clouds brewing, lowering themselves onto the surrounding mountaintops. A brisk wind made me turn my collar up thinking of the ghosts that once pasted this way.

Granite mining relics

Earthen scars along the hillsides of the Flint Creek Range near Philipsburg, Montana, www.philipsburgmt.com, reveal the remains of Granite where more than $250,000.00 a month worth of silver was gouged out of the earth.

The backsides of many of the buildings were dug into the mountainsides themselves. Today their fronts are slowly dissolving into the past.  Heavy snows, the freezing temperatures of long winters and then the scorching sunny summer days twist and dehydrate the huge framework beams that were hone from the forest below.

Granite was once populated by more than 3,000 miners

Who were the people that roamed these hillsides? How many languages were spoken here? Was this a cultural melting pot?

Just a little more than one hundred years ago Granite was a bustling community with dozens of buildings including a three story Miners Union Hall and a district hospital.

Today the ambiance surrounding these gnarled, windswept, buildings gives one a sensory impression of our western American Heritage. A second notion feeds a tingling sensation, that of ghostly encounters that seem to peer out from behind the abandoned grey doorways and head frames.

Walking around, I kicked up a few home-made nails and spikes, pounded square, rusted, bent, and probably forged locally. I photographed several more buildings before resting on the milled beams of the Miners Union Hall for some lunch taking in the fine landscape views of Flint Creek Valley below.

My imagination strained to listen for the sound of horse drawn wagons pulling their heavy supply loads up into this steep terrain. But the roadways continued their silence, only the creaking of sagging ceiling beams and a few Clark’s nutcracker birds spoke for the hundreds of people that once came this way.

Part two of my ghost town discoveries will cover Nevada City, Virginia City, www.virginiacity.com, and Bannack, www.bannack.org, where the biggest and richest gold strikes in Montana took place.

For more information about these and other ghost towns in Montana view these websites:
www.visitmt.com
www.philipsburgmt.com
www.virginiacity.com
www.bannack.org
www.ghosttown.montana.com

Photographs used in this post are copyrighted by Wayne Scherr, Range of Vision Photography, 2009, All Rights Reserved. Reproduction in any manner is prohibited without the written permission of Wayne Scherr, Range of Vision Photography. An image catalog can be viewed at http://www.rangeofvisionphotos.com . You can contact me through this blog or through email at: wayne@rangeofvisionphotos.com

Backcountry Adventures – Lee Metcalf Wilderness

Snow was coming down hard with huge flakes the size of quarters piling up on the brim of my hat. Leading a pack string of horses out of the wilderness was a challenge in itself but with knee deep snow and in the dead of night, it was awesome.

My head lamp emphasized the size of the snowflakes within its bright beam and just beyond I saw dozens of glowing eyes reflected its light.  I was pumped.

I helped an outfitter friend set up a hunting camp deep into the Lee Metcalf Wilderness. Though I am not a hunter Tom from Medicine Lake Outfitters, http://www.medicinelakeoutfitters.com, and I had become long time friends through my photography with many adventurous moments over the years in the mountainous backcountry of Montana.

Outfitter camp at twilight

Just a half mile or so out of camp we were heading back to the trailhead very late in the evening after three days of cutting firewood, pitching a tipi and cook tent,  generally preparing camp for what was to come during hunting season. Tom forgot his permit papers and after handing me the lead reigns of the pack string road back disappearing into the blackness.

I nervously wrapped the rope around the horn of my saddle and headed down along the meadow with no trail in sight, only a deep white carpet and more snow falling all around. I was alone in seconds as Tom faded in the night behind me. I had never lead a string of five horses before. Just riding at night was irie enough. The excitement was palatable.

I could hear the snow falling, hitting my hat, chaps and parka. It was almost a hissing sound. The rest of the night was smothered in a deafening silence. I tucked my fingers under the saddle blanket to keep them warm against the flesh of my horse when I noticed those glowing eyes. They were just a hundred yards or so in the distance off to my right. It startled me.  What the hell was that? I could feel a sense of terror building.

Then, suddenly, from the blackness of night a bull elk let out a piercing bugle putting his harem on notice that I was there and they were to stay put. His glowing eyes fixed on my movement as he trotted toward me. Two more screaming calls and he stopped not wanting to expend too much energy. Perhaps he figured out we were just horses and not more female elk for him to pursue.

By that time Tom was back and took the lead breaking trail with me still with the pack string. Within another half mile he stopped waiting for me to catch up pointing out the fresh big cat tracks that crossed our path, circling the elk herd.

Life happens out there in this pristine wilderness.

 It only added to the wildness of the night with more memorable moments to talk about over some future campfire.

For more information on the Lee Metcalf Wilderness contact the Gallatin National Forest at 406-587-2520 or http://www.fs.fed.us/r1/gallatin/

Related Posts:
http://myphotovisions.wordpress.com/2009/09/05/track-of-the-grizzly-bear
http://myphotovisions.wordpress.com/2009/02/28/lee-metcalf-wilderness
http://myphotovisions.wordpress.com/2009/03/14/absaroka-beartooth-wilderness

Photographs used in this post are copyrighted by Wayne Scherr, Range of Vision Photography, 2009, All Rights Reserved. Reproduction in any manner is prohibited without the written permission of Wayne Scherr, Range of Vision Photography. An image catalog can be viewed at http://www.rangeofvisionphotos.com . You can contact me through this blog or through email at: wayne@rangeofvisionphotos.com

Photography and Feng Shui for Interior Design

Feng Shui is an ancient Chinese practice and system of aesthetics that utilizes chi or Qi, energy, from both heaven and earth to improve life by receiving and directing this energy into your lifestyle including your home and office environment.

This aesthetics system is made up of five elements: earth, fire, metal, wood and water. These elements dominate your environment and since we live in a colorful world different colors are an expression of each component.

Japanese Garden

Color and item placement gives us a sense of harmony and balance. We can open our lives to positive energy by displaying Feng Shui colors related to the elements in our living and work space.

Combined with photographic images, Feng Shui broadens this spectrum of harmony and balance with a greater sensory appeal. Inspirational nature photography specifically brings outdoor grandeur indoors with splashes of positive energy.

According to Fen Shui practice there are two types of energy, yin and yang. Yin energy is passive and promotes a calm relaxing environment. Yang is a more agitated source of non-passive energy.

Waterfall Energy Flow - Giclee Print

Yin colors are black, blue, white, pink, purple and green.

Yang colors are orange, maroon, red brown, yellow, tan, beige, mauve and gold.

What do color elements mean?

Fire color elements: Colors associated with the element of fire are of course red, then orange, yellow, purple, pink and violet.

Pink is the color of healing. It is associated with deep feelings of self-respect and a personal sense of self-awareness.

Sunburst Dahlia Panorama Giclee Print

 Red promotes wealth and prosperity. A most active color it is associated with fame, happiness, love and relationships. Red generates strength within an individual. Too much of this stimulating color encourages aggression, fear and anger. Think of this balance when using red in wall décor presentation.

Another yang color is orange and can be used to strengthen creativity and concentration. It is a positive color that promotes enthusiasm and ambition. Too much leads to restlessness and nervousness.

Purple Irises - Giclee Print

 

Purple supports mental and physical healing. It is a calming color and is associated with spiritual awareness, dignity and wisdom.

A more soothing color of a spiritual nature is violet. It has a soothing nature and can help calm symptoms of mental illness and hunger. Too much of this color advances prejudice and a sense of snobbery.

 A color associated with insight, creativity, joy and wisdom is yellow. This bright color can help lift you mood and enhance a feeling of well being.

Earth Element Colors

Pale earth tones are unifying and can be used anywhere.

Metal Element Colors

Colors that are associated with metal are white, silver, gold and grey. Gold is associated with wealth, wisdom and prosperity. It encourages good health and success. Grey stabilizes and has a calming effect because it is neutral. 

White Cup and Saucer - Giclee Print

White promotes creativity, love and relationships. It is associated with travel, purity and confidence. Used with gold and silver it generates calmness. Since white blends with all colors it promotes harmony and purity. Too much white gives an unfriendly feeling.

Water Element Colors

Black and blue are associated with the element of water. Black is associated with knowledge, life paths and skills. Used with metals it promotes money. It is the color of power and emotional protection. 

The yin color of energy is blue. Blue is calm and soothing. It reflects love and aids in bringing about healing and relaxation. Blue promotes feelings of trust and peace. Blue is linked with adventure and travel exploration.

Aspen Grove - Giclee Print

Wood Element Colors

Allied with the element of wood are the colors of green and brown. Brown is linked with security and safety.

 Green is a restful color that supports balance, relief of pain and healing. Too much green can lead to depression, selfishness and jealousy.

So in theory the stronger the color the less you need to achieve what your intent is. Colors are used to attain specific energy levels, to enhance and to maintain. Large areas should be pale with smaller surfaces reserved for accent colors. If you do not like a certain color do not use it with your décor. Personal preferences are just as important in realizing your desired decorating purposes.

Buddha Statue - Giclee Print

I have used photographic images of nature to illustrate color meanings involved with Feng Shui. Incorporating nature indoors helps create a comfortable ambience in your home, the work place, health care facilities, conference rooms and public spaces in general.

All photographs used in this entry are copyrighted by Wayne Scherr, Range of Vision Photography, All Rights Reserved 2009. Reproduction or use of any kind is prohibited without the written permission of Wayne Scherr, Range of Vision Photography. Gallery  images can be viewed at www.rangeofvisionphotos.com.  Contact: wayne@rangeofvisionphotos.com.

Staying for the light

I was packing up my gear getting ready to travel home.

All morning we photographed garden flowers in my brother’s yard. Forget-me-nots were lush. This year they overflowed from each of his five raised sections of plant life. Blue, bluer and faint purple, like a carpet, they filled even the pathways glowing and saturated in recognition of the warm spring day.

Forget-me-nots - Giclee watercolor print

We could not have ordered up a better day.

Excited by the flower growth and choice light we scrambled with our gear not wanting to lose the chance to record something great. We recognized the rush simultaneously. “I think we’re supposed to breathe.” I said.

“I am breathing,” was the faint response. We laughed taking a moment to become centered and aware of the situation.

It is easy to always shoot the same type of image. It is like imitating yourself as you try to make an artful composition where all the elements come together before your lens. But what we really want is not to have a preconceived idea of what to look for. It seems the trick is just to be aware of the circumstances and respond with heightened senses to what presents itself before your camera.

Red Poppy - Giclee watercolor print

I don’t know of another way to avoid the standard clichés of flower photography.

We waded through the garden watching the light run over the thick undergrowth giving shadowy edges to each leaf and blossom. Every shade of blue was present in the gleaming forget-me-nots. You did not know where to place your focus our subject was almost too busy with thousands of tiny blossoms each calling to our attention.

It was the iris’ leafy blades that set the direction. Sharp, flat and a constant green brought dimension to these mini landscapes. They offset the texture and color of the floral bouquet with flat triangles, ribbons and wedges.

It was funny we each had different lenses but interacted with the moment and the light in the same manner. We worked the situation, refined the composition, sharpened the focus and sometimes moved on without tripping the shutter. Close up, medium and close up again shutters opened and closed. We could sense our smiles without looking at each other.

Patience ruled the shoot.

Fire Tulips - Giclee watercolor 8x24 panorama

Brilliant red orange fire tulips were explosive with color like hot iron, radiant, in a blacksmith’s hearth. Yellow red tulips the size of baseballs edged with backlight were inspirational against a weathered grey fence. One lone yellow Westpoint Tulip constantly trembled in the slight breeze always wobbling on its fifteen inch stem.

All of this color and variety gave way to the luminous white and soft peddled plum blossoms just above our heads. We had kept our view down and actually backed into a low lying branch before recognizing another viable composition.

Two hours later, time had absorbed our senses and claimed about a hundred new images. The warm sunlight became harsh and midday winds picked up. We felt exhausted from our concentrated efforts.

Bleeding Hearts - Giclee watercolor print

The rest of the day moved on in a less creative mode and as things began to wind down before I had to leave for home we took another turn in the garden talking about the late afternoon light. Shadows had shifted and those colors and edges popped again.

I had to unpack my gear. It was like a whole new encounter. Same subject different views and a more refined approach to composition raised that level of joy and satisfaction all over again.Being open, staying for the light, resulted in a new 8×24 inch Giclee panorama of those glowing Fire Tulips, backlit, dramatic and a peaceful end to the day.

All in all I figured it was well worth the three hour drive back home in the crisp night mountain air with my moon roof open counting the stars dreaming without thought.

All images are copyrighted by Wayne Scherr, 2009, All Rights Reserved. No image may be linked to or downloaded without the written authorization of Wayne Scherr, Range of Vision Photography. Prints and or scans are available for purchase or lease. An image catalog can be viewed on my web site at http://www.rangeofvisionphotos.com
Please contact me through email: wayne@rangeofvisionphotos.com

Morning Meditation

 

I have been doing walking meditations each day, mostly out a dirt road where a spring pond attracts geese, ducks, song birds with an occasional heron or fox. Almost always I’ll see a hawk soaring above watching for gofers that scurry from hole to hole.

But today I was in town doing laundry, not a real fun thing to do on beautiful Saturdays. Morning light was soft and the Rocky Mountain air very fresh and incredibly clear. I followed a walkway up into a grove of aspen and cottonwood trees all paved and park-like.

Several flower gardens were waking, catching those early morning rays of sunlight. 

With walking meditations the idea is to plant your steps so that your feet massage the earth and your breath is timed, breathing in at the count of two, exhaling on the count of two, very rhythmic and mindful. It is most important to be mindful of your breathing. It forces you to be centered in the here and now moment.

3 Bunny Tails - 11x17 Giclee Print

Two Downey woodpeckers danced through the air chasing each other expressing their song of lust. They stayed a good twenty yards ahead of me flitting from tree to tree calling out. I smiled.

The narrow sidewalk wound through the trees and crossed a small rustling stream with a wooden footbridge. The aspens and cottonwood surrounded several acres of townhouses that almost blended in. It was so quiet. In the middle of town it was an oasis for song birds, quaking aspens and the creek gurgling over smooth rocks and an occasional broken limb filling the air with peace.

I did my concentrated paces from one end of the complex to the other breathing from the belly, smiling from the heart.

Pink Gladiolus - 11x17 Giclee Print

A pair of scarlet Taningers waited for me at the exit path, as I crossed the footbridge, with their bright yellow bodies, red heads and a compelling morning song. They too chased each other from bridge to tree limb down to the creek.

I left the grove of trees and townhouses refreshed, picked up my laundry and headed home to photograph in my garden, mindful of the opportunity of a morning smile.

All images are copyrighted by Wayne Scherr, 2009, All Rights Reserved. No image may be linked to or downloaded without the written authorization of Wayne Scherr, Range of Vision Photography. Prints and or scans are available for purchase or lease. Please contact me through email: wayne@rangeofvisionphotos.com or through my image catalog web site at http://www.rangeofvisionphotos.com

Can Color Photographs Enhance Positive Feelings of Well Being?

Do you ever think about color and how it affects your life?

Do you ever see red or feel blue? Some people are said to turn green with envy. These are real changes that happen to our body’s aura or electro-magnetic field.  Studies show that color and its use can alter our emotions.

So what is color?

An easy definition is just the quality of light.

But with sunny days or cloudy days the quality of light changes and has many variations.  Light waves or vibrations are constantly moving. Even though we do not notice most of the time light rays are always dancing in and around everything.

Flower Flair - Giclee Print

Many people believe that color is life and that color is an expression of the divine.

Ancient civilizations studied the power and influence of color. They used color in their healing and religious practices. Think of the saturated hues used in temples and palaces.

High priests and priestesses from China, India and Egypt developed the science of color based upon the nature of man and the sun’s bright spectrum of light. So these fundamental laws of cosmic energy we know as color have always been around.

Healers and shamans used principles of cosmic energy and color to heal many ailments.

We understand that disease means a lack of harmony within the body. Chromo therapy and its use, is a means of bringing balance back to the body through the use of colored light.

In the 1930’s, a scientist named Ghadiali, developed several theories about the therapeutic effects of colored light and the role it plays upon our bodies.He wrote about how color represents different chemical reactions in the high vibrations of light. Each color he stated can stimulate or inhibit how one’s system works. If you understand how different colors work on ones organs, then in theory, you can apply the right color light to balance that system or organ and then condition it. Palm Leaf - Giclee Print If you live in a healthy state, you are conditioned or balanced with light energy. When the balance is off you are known to be in a state of dis-ease. Restoring the balance is what color therapy is all about. All living things get energy from the sun and its light wave vibrations. All known elements are found in the energy of the sun. These elements and chemicals are all contained in white light. The sun emits white light energies into the atmosphere and life is then sustained or charged by it. We have all heard about auras that surround and penetrate our bodies. They absorb white light and divide it into different color energies. With humans there are two activities working all the time. They are called catabolism and anabolism. Anabolism builds and repairs. Catabolism eliminates waste products from the body. Good health is a balance between these two processes and is called metabolism. The scientist Ghadiali found that the color red is a construction color. It stimulates the liver and red blood cells. Violet works on the spleen and is the color of catabolism or destruction. So red stimulates the liver and is at one end of the color spectrum. Violet is at the other end of the visible spectrum. He found that green is the balancing or central color. This is great for the pituitary gland, which controls all the other glands, which affect the entire body. Red, green and violet are the primary color waves used in Chromo therapy. Purple Iris 8x24 Giclee Panorama Why use color therapy at all when we have so many drugs and medicines? Well are the drugs natural? Is putting unnatural things into your body a good thing? Do drugs really balance out the body? Do they just work on the symptoms? With things unbalanced and we use drugs, are there then drug-induced illnesses? People react differently to the same drugs. Many people are allergic to different ones. At least with Chromo therapy there are no harmful effects. Drugs treat symptoms while color therapy treats the imbalance itself. It is thought that applying color treatments instead of drugs can be a constructive activity without any destructive effect. Pushing - Salisphy Giclee Print Today the medical profession uses light from the spectrum just below and above visible light energies. Doctors use ultra-violet and infrared rays. Used for too long a period of time either one can cause damage to body tissue. The worst that can happen with light from the visible spectrum might be a slight accentuation of the problem in the first place. So since there can really be no problems using Chromo therapy, don’t be afraid of it. Do a little fun research. Add a little green light into your life. In expanding thoughts related to photography and light are there relationships with color and recorded image that can have a similar effect on the body’s imbalances? Many health care facilities use large Giclee and photographic display prints of nature and abstract images of bold colors to help induce a sense of calm and a healing environment for their patients. Some interior designers using Feng Shui use color photography in print and transparency formats to shape and enhance the flow of chi or positive energy in the home or office space with wall décor. All images are copyrighted by Wayne Scherr, 2009, All Rights Reserved. No image may be linked to or downloaded without the written authorization of Wayne Scherr, Range of Vision Photography. Prints and or scans are available for purchase or lease. Please contact me through email: wayne@rangeofvisionphotos.com or through my image catalog web site at http://www.rangeofvisionphotos.com

Track of the Grizzly Bear

As quick as the snapping of a pine branch just a few yards behind us, Tom yelled bear and his horse bolted after the grizzly that stepped out onto the trail. With a shot of adrenalin my horse came alive and like a rocket blasted off following Tom into the forest racing toward the dark brown blur sprinting away.

My heart pounded in my throat. Blue the appaloosa I was riding was all fearless energy. In unison we jumped a log running at full throttle. I ducked hugging Blue’s mane when a thick aspen branch took a shot at my head and remained fluid in the saddle. I was thrilled beyond belief.

Grizzly Bear

It lasted a mere thirty seconds. The grizzly bear disappeared in the thick pine growth. We pulled up to a halt, still whooping and hollering at the bear, having chased him away from our camp area.

We were five days into a spectacular pack trip in the Monument section of the Lee Metcalf Wilderness. Tom Heintz, who owns Medicine Lake Outfitters, www.medicinelakeoutfitters.com, and a long time friend, invited me to do some exploring before the summer season began so we could get some new photos he could use for publicity.

Just the night before during a full moon I saw the silhouette of that bear appear across my tent. I sat up suddenly shaking in my sleeping bag. When he reached the door of my tent the whole side folded in and quickly popped back out. Then silence.

I don’t know how long I sat there waiting for his entry but there was nothing. The next morning after telling Tom about the almost invasion he noticed the claw marks down the rain fly of my dome tent. It was like a telling scar. Proof I was not dreaming.

It marked the importance of keeping a clean camp and respecting wilderness rules.

Monument Unit Lee Metcalf Wilderness

We continued a more calm exploration of a rocky ridge and found ourselves with an excellent view out on a precipice with three sides that plummeted several hundred feet to a valley below and figured it was a great place for lunch.

Dismounted we walked the horses to the edge reliving the excitement of the chase. Looking back toward the trail we had just came from we both realized where we were and how vulnerable the situation was if that pissed off bear returned to chase us.

We were out of there in seconds with nervous laughter in the air and another adventurous memory.

For more information on the Lee Metcalf Wilderness contact the Gallatin National Forest at 406-587-2520 or http://www.fs.fed.us/r1/gallatin/

Related Posts:
http://myphotovisions.wordpress.com/2009/02/28/lee-metcalf-wilderness
http://myphotovisions.wordpress.com/2009/03/14/absaroka-beartooth-wilderness

Photographs used in this post are copyrighted by Wayne Scherr, Range of Vision Photography, 2009, All Rights Reserved. Reproduction in any manner is prohibited without the written permission of Wayne Scherr, Range of Vision Photography. An image catalog can be viewed at http://www.rangeofvisionphotos.com . You can contact me through this blog or through email at: wayne@rangeofvisionphotos.com

Seeing with a Beginner’s Mind

In photography as with all forms of art we seek oneness with our subject. This is called beginners mind. It is this part of the creative process that gratifies our souls, not necessarily the finished print. Although an excellent Giclee or digital print does make for good wall décor and can complete the visual venture.

We have all the equipment, books and videos one needs to learn from but does all the knowledge we accumulate get in the way of seeing and capturing good images?

How many times have you been in the field with a spectacular landscape scene before you? The light is excellent. But the rush of technology fills you head with thoughts of lenses, f/stops, depth of field, film choices, scene brightness ranges, composition and exposure limits. Equipment confusion really can get in the way of seeing and making art.

Water Spirits 16x24 Giclee Print

Some photographers get caught in this barrage of information and tools. Their images are accurate but lack life’s vibrancy. The spirit of the moment just isn’t there.

Every instant that passes before us is new and free from past baggage. Seeing with a beginners mind is the ability to step aside from personal issues and let the image find you.

For me, many of my images can come quickly. They tap me on the shoulder and seem to trip the shutter all by themselves. I become a catalyst to the event and I love that energy surge.

It takes practice to become comfortable with your equipment but it is essential.  With an ease of using your equipment you can trigger the core of your beginner’s mind.

This was something I learned as a beginning photojournalist. Don’t think about your equipment just know what it can do. Be there, be aware and the image will find you. You know, “the f/8 and be there” National Geographic thing.

Life’s moments happen fast and disappear. Practice with your equipment so when they appear before you, you can capture those flashes in time and see each moment with a beginners mind.

Photographs used in this post are copyrighted by Wayne Scherr, Range of Vision Photography, 2009, All Rights Reserved. Reproduction in any manner is prohibited without the written permission of Wayne Scherr, Range of Vision Photography. An image catalog can be viewed at http://www.rangeofvisionphotos.com . You can contact me through this blog or through email at: wayne@rangeofvisionphotos.com

Water Speaking Water

 

I had been reading about Zen and the Art of Photography and came across a statement regarding “Water Speaking Water”, by John Daido Loori a Zen Master and fellow photographer. I found these three words fascinating and thought about them on and off for three days.

In the realm of Zen everything in the universe is one. Everything is interconnected and relies on each other to complete its fulfillment. It is only our personal awareness that experiences life from our own unique point of view, defined only by the moment.

Liquid Voices

Water flows, as energy flows, around us and through us and at times if we have reached our still point we are able to capture a slice of this energy, in our hearts, on film or render it digitally.

My brother and I hiked to a small gorge near Big Sky, Montana, in the Gallatin National Forest, to a waterfall, on a photographic outing. It was just the day before when we had dropped down from the high country in the Absaroka Beartooth Wilderness where I came face to face with a River Shaman that emerged from another water movement moment. (See http://myphotovisions.wordpress.com/2009/02/02/river-shaman)

We hiked into the gorge probably two hundred feet down from the trailhead and as we approached the falls through the pine forest we could hear the rush of the water as it filled the silence found among the trees.

The Throne

We were absorbed in the moment. The water’s voice captured us and pulled us down to the base where mist splashed and swirled, filling our senses and singing the universe’s praises. It was a sirens song.

Conditions were right for photography but we sat on the edge of a cliff before the falls in silence just breathing and trying to feel the energies that rushed through our bodies. It was just a couple of minutes and somehow, we knew when it was time to spring into action. The next two hours were effortless. Many angles, different lenses and lots of film, all procedures as smooth as could be. Composition was easy.

That afternoon Ouzel Falls spoke to us and allowed us a cosmic experience. We were not separate entities. There was no self in the equation. All was one with the hum of the universe.

For further information on Zen and photographic insight: The Zen of Creativity: Cultivating Your Artistic Life by John Daido Loori.

All images are copyrighted by Wayne Scherr, 2009, All Rights Reserved. No image may be linked to or downloaded without the written authorization of Wayne Scherr, Range of Vision Photography. Fine Art Prints are available for purchase . Please contact me through email: wayne@rangeofvisionphotos.com or through my web site at http://www.rangeofvisionphotos.com